thehuskybro:

Donna Meagle knows what she wants and won’t settle…

(Source: shnarfilyconfuzzled, via moteycwm)

wingsoutstretched:

okay, so here’s my problem with the way this episode handled mary and her storyline

Read More

A WISE MAN ONCE SAID:


mortenavida:

deviantartneironymcrposterjpg:

image

I have never reblogged something so fast in my LIFE.

(Source: natsa-is-a-free-elf, via strippingwizardsonabartop)

loafoflove:

osointricate:

osointricate:

Why aren’t there drive-throughs for fanfiction though?

"Can I help you?"

"Yes, I’d like a modern "pretend boyfriends" AU, no dub-con, add frottage, please."

"Would you like a happy ending with that?"

"Yes, please."

"And for length?"

"Oh, a 50k-er, please."

"Will do, please pull around to the first window."

I have a name proposal for this drive-thru:

Fluff ‘n’ Smut

(via strippingwizardsonabartop)

(via taikova)

(Source: gingerbbatch, via kriskenshin)

celiiia-streep:

Emma Thompson photographed by Nick Haddow | Zoomer Magazine (Dec. 2013)

(Source: damethompson, via scullaaay)

nudityandnerdery:

Han Solo: Done with your shit in 12 parsecs

(Source: carriefishers, via strippingwizardsonabartop)

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

(via only-semi-sarcastic)